Dolly in the downturn

Wherever I go, I find myself wondering what will survive. Announcements of cuts have speeded up and I feel battered already, though the axe is still poised to fall. These months are a reversal of the norm, as if convalescence came before serious illness. Everyone seems to be waiting for things to get much, much worse.

It's hard to make culture a priority when so much else is under threat. How can I value a trip to the theatre or art gallery – even a book borrowed from a library – above the local day centre for people with mental health problems (under threat of closure)? Yet I notice that many of the activities offered by that day centre depend on what are broadly termed "the arts". The people whose lives are improved by help and friendship at the day centre also improve their lives by sculpting, painting, writing and singing. They share their skills with one another – and arrange local trips to take in the exhibitions which I also enjoy.

Millionaires never have to do without the arts. As patrons they commanded poets, painters, sculptors and musicians - they could buy whatever entertainment they fancied. I'll always be grateful to those millionaires who gave money to build theatres and public libraries. But my sympathies are with those who lived on the fringes of culture, grabbing whatever they saw and desired, without any sense of entitlement. I've always grabbed at culture.

Now the wealthy men in our government are snatching back. Education in arts and humanities will be restricted to the very rich and those prepared to embrace enormous debt. Were I young now, I'd have to give up my dreams of a good education. Meanwhile opportunities for self-education are being snatched away. Library hours are being cut. Soon galleries and concert halls will close and theatres will darken – though I suppose millionaires will continue to enjoy their holidays abroad and whatever command performances they choose to buy.

Until then, I'm grabbing as much culture as I can fit round work and a heavy cold. I've seen two shows at Nottingham Playhouse (She Stoops to Conquer and Twelfth Night – both excellent fun) and, most recently, a new play, Dolly by Andy Barrett, which is touring the region. I caught it at the Darwin Rooms in Derby.

The Darwin Rooms aren't a typical venue for New Perspectives, the theatre company behind the production. It's one of those small, regional touring companies which rarely get noticed in the national press touring the region. Mostly performances are in village halls and sports centres - the actors move around the region, setting up temporary stages, lighting rigs and sound systems for a night at the time.

I haven't seen the company before but they seem to take rural settings as their starting point. This play was set in Rosslyn near Edinburgh - according to the play a small farming community where any outsider was instantly identified as a visitor to the research laboratory. It picked up themes of ambition, success and failure. Farmer's daughter, Bettina, longed to be a country and western singer like her idol Dolly Parton. Her story was told in parallel to the story of the first cloned sheep, created at the Rosslyn Institute.

To my surprise, I found myself warming to the enthusiasm of the researchers as they explained what they were doing and why it was so difficult. Ethical questions lurked in the background - as did the desire of mourners to use cloning to bring back the dead. But the playwright and production trusted the audience to think through the questions - they weren't hammered out but left for thought and discussion later. The play was more interested in celebrating human achievement, whether the success of scientists in an improbable project or the ability of Dolly Parton to write and sing songs about triumph in the face of difficulty.

When I say that my favourite performer was Dolly the sheep, this is not a criticism of the cast. They almost convinced me that the two puppets - Dolly the new-born lamb and Dolly the adult sheep - were real and I held my breath for a moment when Dolly was born and presented to the waiting scientists. It still seems unlikely that messing around with theories, formulae and test tubes can produce a warm and breathing creature, let alone a sheep of character.

But even if ambitious and imaginative scientific research escapes, I don't suppose the idea of science will warm people through the cold isolation of the cuts. Dolly Parton, for all her artifice, may be a better source of warmth. She can, on occasion, be very funny - and she has a clear sense of what it's like to go without.

Waiting for the end

After the tame bribes of the election campaign, we're preparing for disaster.

The strange thing is that, long before the election campaign, we knew there would be cuts and that they would be severe. In the debate of the three prospective chancellors, all three agreed that the new government would impose cuts that were deeper than those made by Thatcher. But when the election campaign proper started, the candidates and parties slipped into the conventional mode of offering little inducements to voters: funding for this and that project, the promise that some groups of people would be better off. It was as though the entire country colluded with the leaders and candidates in an act of voluntary amnesia so that we could all enjoy the spectacle of the election campaign and participate in a limited political debate without considering the future.

On one level there was a serious public debate. For the first time in years people seemed to be taking their power seriously. Wherever I went – on the train, in the pub, in corridors at work – people were discussing the election and agonising how to cast their vote. I was agonising too. But there was a sense in which the major debates of the last few years had been forgotten. We seemed to have stepped back in time so that the parties could posture in their familiar roles rather than addressing the current crisis. A great deal was made of family values and immigration. The NHS was defended and “welfare scroungers” attacked. There were occasional mentions of Europe and Britain's need to defend itself. I was struck by how little was said on civil liberties and Afghanistan – and how all parties offered to spend more money on pet projects rather than talking about what they would cut. Meanwhile the newspapers assessed parties as much on the power to spin and present themselves as on any substantial policies. Looking good on TV or choosing the right poster designs was treated as a vital qualification for office.

On the day of the election, I heard several people remark that now the difficult times would begin. And then we held our breaths for a few days as though hoping that the failure to hand any party an overall majority would mean that the economic crisis would go away and we could all sit securely in our jobs, if we had them, and rely on the frayed safety net the welfare state continued to provide.

There was never going to be a happy ending. Even if a Labour -Lib Dem-Nationalist-Green coalition had been formed (and the arithmetic was against it), we all knew the cuts were coming. The only remaining question was where they would fall – and that had hardly been discussed in the election campaign. No party wants to threaten the jobs and income of voters. The coalition cabinet looked like a parody of the new parliament: overwhelmingly male, white, public-school educated, Oxbridge graduates, mostly millionaires, distinguished by the kind of overweening self-confidence and self-righteousness that politicians and the press sometimes praise as “leadership.” No-one speaks of followership, that quality of subservience that all strong leaders require.

I haven't been surprised by any of the proposed cuts – and I don't think they're different from anything the relaxed-about-the filthy-rich, market-driven New Labour party would have required. Perhaps Labour would have delayed for a year but perhaps not – politicians were never going to be good about keeping their election promises. I am shocked by how much the Liberal Democrats conceded, and how quickly. Abstentions on tuition fees, Trident renewal and nuclear power ensure they will pass. If abstention is a fig-leaf, it's transparent. They may be working toward an end to the detention of children but they have hooked up with a party happy to deport asylum seekers – including unaccompanied children – to Afghanistan, apparently on the grounds that they will be safe there. Documents exposing the previous government's enthusiastic involvement in extraordinary rendition and torture have been published but that was as a result of a court judgment – our new, human-rights loving government was just as keen as its predecessors on a cover-up. It's the same with the treatment of children in privatised jails; brutality was authorised by New Labour but the coalition government sought to keep the evidence secret – and, so far as I can see, advice on how to hurt and injure children in prison has not yet been withdrawn. Every so often a cabinet member says something on human rights or civil liberties that I applaud but I don't trust them a bit. And I note that the Labour Party, while opposing cuts in a half-hearted sort of way, has stepped up the kind of rhetoric that prevents me from voting for its candidates. Labour assumes its potential working-class voters are fearful racists, who cannot see beyond narrow self-interest. No, they are not. They insist civil liberties and human rights are a middle class concern. No, they are not.

I support moves towards greater equality. I am not “relaxed about people getting filthy rich” when the evidence of poverty is clear. I want to a society that combines concern for individual freedom with a belief in equality, that welcomes internationalism at a human level rather than supporting uncontrolled corporate globalisation, in which companies are more powerful than countries or their citizens. There is no major party in England that promotes these views, though I know plenty of people who share them.

Meanwhile, I wonder what the government's rush to cut and privatise means for my neighbourhood and for me. I'm angry at local cuts that don't affect me directly; the county council plans to close centres which support people with mental health problems – people who are unlikely to campaign on their own behalf. The theatres, galleries, libraries and arts projects which I love must be at risk – the benefits supplied by free or very cheap access to culture cannot be quantified easily in a balance sheet. Given my age and my work in the public sector – combined with the level of projected cuts - I should probably prepare to face unemployment. Every so often the polite millionaires who rule us remember to say that public employees are valued and that the contribution they're cutting has been provided with care and dedication. As they cut contractual rights and sell the welfare state's fixtures and fittings to the private sector, they assure us we're “all in it together” and that “everyone has to make sacrifices.” But there's another aspect of their rhetoric which has been picked up by the screaming editorials of the right-wing press. They insist I do a “non-job” and look forward to a “gold-plated pension.” I'm luckier than most. I simply wonder if I'll be able to pay off the rest of the mortgage, how I can help my children and what I can do if my elderly parents need help.

I'm trying to be positive about the possibility of unemployment. I'm planning a T-shirt for the day I sign on. It will feature the words “WELFARE SCROUNGER” in big letters. Meanwhile I'll make the most of my free time to enjoy free culture, write like mad and campaign against the government for a better, kinder world.